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A few weeks ago, at the Studio Museum in Harlem’s Uptown Friday, guests were given a sort of party favor in a “folded poster” produced by The Map Office. I’ve just gotten around to opening mine and hanging it by its “optimal pinning vectors.” The result: a 3-D sculptural poster, printed as an optical illusion reading text from Ralph Ellison’s Invisible Man: “I am invisible, understand, simply because people refuse to see me.” That the design would pull that phrase is a little hackneyed to me, at least, it is in association with SMH, but I was excited and surprised to see it suspended there on my wall. Having photographed it, it reads far more clear than if you were to see it in person. Very cool.

ALSO, I am very excited by Erik Loyer, a media artist based in CA. I first came to know his work a little more than a year ago, when I checked out “Hollowbound Book”, part of the Mediaworks pamphelet series from MIT Press.

He is interested in how “digital interactivity enables human eloquence.” Great! Wow.

See these projects:
Virtual Window
Public Secrets

and more at http://erikloyer.com/

I should add that, in my observation, whereas once the internet could conceivably replace offline activities, there has been a shift. The internet is now used to enrich offline activities. Here are some places to look up your esoteric, old-fashioned interests:

FOOD, BEERMAKING:
http://thuisgemaakt.blogspot.com/

CRAFTS/TEXTILES/FABRICS:
http://www.ohjoy.blogs.com
http://www.selvedge.org/

BOOKS:
http://www.goodreads.com

SOAPMAKING and CANDLEMAKING
http://www.cranberrylane.com/soapmaking.htm
http://www.candletech.com/
http://www.candlesandcandlemaking.com/

ALTERNATIVE PROCESS PHOTOGRAPHY:
http://www.alternativephotography.com/

and a VIDEO on collodion process:
The Wet Plate Collodion Process

A life offline.

I had a conversation recently which pointed out that lately people are so-inclined to adopting antiquated ways of doing things, particularly as it pertains to young photographers, over-saturated with the digital age, taking up collodion and other virtually obsolete processes of photography. I look at my own life, and the curious lives of others who have gotten SERIOUS about crafts, baking bread, knitting, writing longhand, and more, and wonder, if this trend is the method to balancing to a life increasingly lived virtually and digitally, if not completely online. As we move into the future, will we move into the past? I want to say everything old is old again, or that everything old is new, but neither is correct. Everything is exactly as it is, or so becomes the meaning of meaning when practices are revived and used out of context.

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Lately the phrase “unbought and unbossed,” the title of Shirley Chisholm’s autobiography, has rang repeatedly like a meme in my brain. Between that, and that the phrase, “The Good Fight” appeared to me this week, I wonder if Mrs. C is watching me. I look at a woman like Chisholm, the Congresswoman from New York City who ran for president in 1972, and wonder what the world would be like with more of them.

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Yesterday, prompted by negative characterization of her in Justice Clarence Thomas’ newly-released memoir, My Grandfather’s Son, in a stunning op-ed, Anita Hill confirmed, “I stand by my testimony” in reference to her allegations of sexual harrassment which became a central argument in Thomas’ 1991 confirmation hearings for Supreme Court Justice. Elegant, gracious, and fair-handed, Hill lays out details of their professional relationship and assesses the state of sexual harrassment today. As a crime, sexual harassment was still a new concept in 1991, although its habits were not unfamiliar to the women and men who suffered by it for ages. The controversy also denoted a shift in public portrayal of black solidarity: revealing potential discordance within the black experience among two black people, as dramatized by, of all things, two black conservatives. Anita Hill did not stand behind rules of race-based support of high-reaching black male figures. Rather, her testimony aroused the hegemonic, disenfranchising attitudes of men towards women, and the complex relationships between women everywhere and The System at-large. This choice could be called an important moment in post-integrationist experience, where personal priority of access to justice breaks from the identity and priorities of the ethnic group.

But you knew that already.

Later, on the same day, former New York Knicks exec Anuncha Browne Sanders (below) was awarded $11.6 million in damages on behalf of Isaiah Thomas and Madison Square Garden for sexual harassment, cover-up, and the subsequent loss of her job, all of which led to a degraded quality of life.

What times we live in. I respect them both.
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In sixteen years, from Thomas to Thomas, one October to another, what has changed? I don’t know. There is something divinely meant in this confluence of coincidences; two black women, testifying in two Octobers, against two black Thomases, and making grand statements on the same day. You couldn’t have planned it. But what will change from here?

But I do know that sixteen years later Anita Hill, having been rewarded with nothing, still efforts to clear her name.

See and hear Hill’s original testimony from October 11, 1991 here.

I have just been invited to GoodReads.com, a social networking site centered around books. On GoodReads you collect friends, profile titles “to read” or are “currently reading” and write reviews or form book clubs. They have an impressive search engine; here, for the first time I was able to find in one place all of the books in the African Writers Series. Most books can be purchased through Amazon. It does take energy to enter all the books you’d like to read or say you have read into your profile. I have a long-running (private) wishlist with half.com, so we’ll see if I find this any better.

In one sense, GoodReads.com is another entry in a trend where people reflect themselves or who they want to be through online profiles, in this case, the public self demonstates how literate you are. I’m not quite sure the point of seeing “what your friends are reading” as their tagline suggests. It seems inorganic–like a lot of work to do something relatively easy and natural. I’ve been a member of bookclubs for two years, and if I like or dislike a book, I will discuss it in a timely conversation with the right person, rather than putting my opinions out there just for the sake of it. But in this sense, its no different than blogging.

Maybe Goodreads will help people formulate their own opinions on books. In any event, its users will have to create a value that cannot be done offline. However I imagine something like GoodReads can be useful to teachers and students.

The first time I heard “outsize” used in a long time was in reference to the character of Pavarotti: Since then I swear I’ve heard this word used everyday somewhere or another.

9/23: Ms. Taro’s celebrity was short-lived but outsize.

9/16: His outsize list included a two-story Cape Cod cottage, a leaflet-bomb carousel, an old bar from a tavern, a vintage movie theater and various banged-up rolling stock (a trailer, a mobile home, a bus, a truck). Nine full-size shipping containers were requested.

9/9: his outsize confidence; his fund-raising powers;

9/7: His outsize personality remained a strong drawing card, and even his lifelong battle with his circumference guaranteed headlines:

Who’d've thought these people would have anything in common?

When I did a search, it appears the NY Times uses this word almost every day. Interesting! It didn’t appear that common to me.

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The other night I was looking through two books by photographer Jamel Shabazz, called Back in the Days and A Time Before Crack which depict life, mostly among youth culture, in New York’s “inner cities” during the late seventies and early 1980s. These books have been treasured for their clear, unaffected presentation of 70s and 80s style, their heartfelt depiction of love and community, and not to mention, Shabazz’s colorful portraiture and street photography. One thing I noticed in these books is that there appeared to be remarkably little obesity in young people as compared to what you would find today.

Food politics run deep for me, not just in terms of legislation, but in terms of the political nature of access to actual food opposed to “food products.” Artificial ingredients and food products are approved by the government and in general, they are widely available, but often the worst of this crappy, destructive stuff is only what’s available in “minority” neighborhoods. The time before crack was also the time before insane snack culture, frozen microwave meals, the super-boom of chain restaurants, lax parenting, and the end of the sit-down home-cooked family meal. It was also the time before high fructose corn syrup, preservative cocktails, and modified food starch. I’d say the eighties brought a different kind of crack, and its effects are still visible.

This summer I came home to a street fair in Washington Heights starting at 181st street and stretching as far as the eye could see. I was bothered, deeply bothered, to find most of the sponsors were major food companies, each with their own tent or truck, and all with food samples. Out of my all my years living in New York City, I’ve never seen a street fair sponsored by Act II microwave popcorn, Chef Boyardee, Hershey’s, and the Unilever family of products. And I’ve been to many street fairs. Some truly low-quality food was passed out, the worst offense by Unilever, who, in an attempt to land the Latino market, demonstrated how traditional Mexican dishes could be made with crappy massmarket ingredients.

As we know, the food problem in America is not isolated to minority groups and the working class. Earlier this year Slate magazine ran an article about Sysco, the food supply company that provides goods for “nearly 400,000 American eating establishments, from fast-food joints like Wendy’s, to five-star eating establishments like Robert Redford’s Tree Room Restaurant, to mom-and-pop diners like the Chatterbox Drive-In, to ethnic restaurants like Meskerem Ethiopian restaurant. . .” Notes Slate, “While chefs have long relied on shortcuts like freezing and using canned goods like beans and tomatoes, it’s entirely different to pass off one of Sysco’s thousands of ready-made items—ground beef burritos, vegan tortellini, quiche Lorraine pie, tiramisu cake—as homemade.” However, Sysco is not mining for dollars. I can’t help but find myself angry by the state of affairs. The effects of contemporary chemical diets appear worse than those of soul food.

I am happy to meet others who are interested in bringing about positive, radical shifts in eating, through education, destroying the legality of dangerous ingredients, and by democratizing good food. Hopefully, the street photography of that new era will brightly depict young people who look and feel healthier than ever.

I don’t know how it started, but no older than six or seven years of age, my sister and I began a what became a long-standing joke about Marcel Marceau. He became one of our strange, witty, inside references as a result of our early exposure to public television. The culmination of this joke came in 2003, when we took the opportunity to see the mime perform at George Street Playhouse, near Rutgers, where my sister was attending, as a stop on his final world tour. Much isn’t thought of the art of miming, but reading this quote led me to share that it’s more than just a series parlor tricks into the imaginary. Like a musician or a photographer, Marceau saw his craft as a venue to speak without words:

For Marceau, mime had a philosophical and political level.

One of his most famous sketches was “The Cage,” in which he struggled to escape through an invisible ring of barriers, only to find that one cage succeeds another and there is no escape.

In Czechoslovakia before the Soviet-led invasion of 1968, he recalled that audiences understood it as an allegory about capitalism. After the invasion, they saw in it an image of themselves under Russian domination.

“I am a progressive, a man who deals for peace, and who has struggled for enlightenment in the world. I am not just an entertainer,” he said.

“I want to be a man who will represent as an active witness my time, and who wants to say, without words, my feelings about the world.”

Rest in Peace!

edited to include:George Street Playhouse

Journalism has been scant and incomplete, and media coverage has been limited. Notwithstanding, this is a case that invokes history and will be remembered for our time.

For information on the Jena 6 story, I recommend

Facts and Figures, NAACP, September 20th, 2007

Washington Post article, August 4th, 2007

Democracy Now transcript, July 10, 2007

TO HELP: WWW.JENASIX.ORG

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